Arbor Lights debut EP !

 

After a year of playing gigs, Birmingham’s Arbor Lights have unleashed their debut EP upon the instrumental rock landscape.

The four-piece band, who have played alongside the likes of Killer Yogi and The Cape of Good Hope, gained a rather large fan base during their extensive gigging, and released a single last May called ‘On A Sea’.

However, they have now released their debut self-titled EP, and based upon first impressions, these guys are certainly a band to be taken seriously.

The five tracks that make up the release are short, crystal-clear and to the point – they don’t veer off the road into the bushes of crazed distortion and randomness.

Elements of Explosions in the Sky’s beautifully clear lead guitar and soaring melodies can be heard throughout, plus Arbor Lights play just as tightly as the aforementioned stadium-fillers.

This EP is filled with catchy riffs, proving that this is a band who aren’t simply trying a bit of post-rock and hoping for the best.

Standout tracks include the haunting, progressive opener ‘El Arborlito’ and joyful little number ‘Constants (Part 2)’.

Personally, this is the kind of post-rock I don’t tire of and that would be great to see live on a stage somewhere.

A thoroughly recommended debut.

‘Holy Noise From Above’ – Haida – a review

Hailing from Belfast, the somewhat mysterious Haida are in the process of releasing a few songs via their Bandcamp page. After listening to their release ‘Holy Noise From Above’, I set about researching the band, finding snippets of artwork and music. But I want them to remain a little mysterious, as the Eastern strings of their music so clearly also is.

 
Influenced by the cinematic side of post-rock (quite clearly so), their sound may appeal to lovers of 65daysofstatic’s Silent Running or The Destruction of Small Ideas. Picturing anything else but a film scene is hard to do upon listening to these five tracks.

 
The slowcore guitar of the track ‘He Says We Had The Sun’ is dark, bringing a film noir atmosphere to the track. This track symbolizes what makes Haida stand-out from the murky waters of post-rock. It is a steady piece, becoming gentle after the rather unsettling opening – a radar-esque electronic tinkering straight from a post-apocalyptic film or dream. A beautiful combination of both strings and guitar become entwined with one another, and continue the tracks gentle yet mournful pace.

 
Elsewhere, the epic repetitiveness of ‘The Night Of The Last Judgement’ brings a glimmer of happiness to the release, which has, at its soul, a darkness. The slow, carefully arranged instrumentation often fades to something with a very different feel, and it unnerves you as you listen. It isn’t a release to be bored with. The title track itself offers an array of sounds – brass, strings, drum, guitars, whatever. It is a track in which to find something new with each press of play, a dark pool in which to lose yourself at night.

 
However, due to the experimental feel this band have employed, it may leave some post-rock fans bored. For although ‘experiment’ and ‘bored’ don’t often go hand in hand, it is the lovers of post-rock’s steady drums and guitars being played as though extensions of the soul, who will find Haida’s release hard to take in. I feel fans of the festival bands would have a hard time listening to this record, due to its cinematic and almost classical nature.

 
But, this is no bad aspect. Post-rock/instrumental band 65daysofstatic employ many of the same features of Haida, and they have grown in popularity.

 
It seems to be that there is an underlying theme at work with this release. With its Eastern European violins, melancholy atmosphere and mysterious little noises here and there, it could have a concept to it. Looking at the combination of song titles (which sound like sci-fi book chapters), and the war/destruction feel to the artwork, I may be right. Or it may be because they like it. Either way, the musicianship at work here is worthy of praise, for Haida sound like they have composed a million-dollar film score.

 

Find out more about Haida:

http://haida.bandcamp.com/

http://inhaidawetrust.tumblr.com/

Top 5 Post-Rock Bands To Watch in 2012

As I have been somewhat absent from the realms of WordPress recently, here is an article i wrote for you – my top 5 of the post-rock acts making waves this year. Hope you like :)

2012 is set to be a big touring year for many a big name post-rock band. Explosions in the Sky, Caspian, Mogwai and Sigur Ros will all be gracing a stadium near you over the coming months.

The genre, having exploded worldwide, is creeping its way into the sounds of many new mainstream rock and electronic acts too. Screaming hellraisers ‘Bring Me The Horizon’ are set to dabble with post-rock on their next album – a far cry from the screamo thrashing they initially became famous for. The post-rock vibe can also be noted in previous releases from popular US emo rockers Thrice, and the dark strings and layers of Burial and Four Tet.

With the genre becoming much more well-known, 2012 holds hope for up and coming post-rock acts – but will they cease to be support acts and find big time success? Here are the top 5 to watch this year:

5. Moving Mountains – though not technically a ‘pure’ post-rock band, these talented boys have been causing quite a stir amongst the teenagers of today. Beautifully arranged instrumentals, utilizing the build-ups associated with the likes of Explosions in the Sky, bring the sound to a whole new audience. Moving Mountains mix perfectly the post-rock guitars and drums with Thrice/Blink 182-esque vocals, and in doing so have refreshed the two genres. An exciting band to watch this year, and set to be touring America in March so grab a ticket!

4. Shy, Low - unleashing their debut album last month, these four friends from the US create passionate music with simple, catchy instrumentals and the odd sample. With dramatic build-ups and almost warlike drum beats; cleverly placed samples from films, and ambient beginnings that turn into powerful expanses of sound, this is a band not to be missed.

3. Ancients -  having already praised this band in a previous post, it is safe to say that I love them. They really are special, creating music worthy of including in a cinematic official soundtrack. With an EP on the way and with a media following already beginning to show, they need to be checked out. Their debut single Constellations is capable of stirring the emotions much like an orchestrated piece from your favourite epic film.

2. Withyouathome – hailing from Thailand, not many people have heard of this band…yet. Their EP is out now, however, and it delivers a rather mellow collection of post-rockness. With the guitars and their feedback simmering below the surface of sparse drumming, the occasional dreamy vocal and lead guitar, Withyouathome deliver the kind of longing, mournful music that stays with you long after you turn off the power. Their full length album is due this year and some shows could be on the way, making for an exciting year for the band.

1. Maybeshewill - although the inclusion of this band may seem odd (they are no longer really in fledgling status) I feel it necessary to shove them straight to the front of the line as the band that just need to be watched. Last year’s album ‘I was here for a moment, then I was gone’ was undoubtedly one of the stand-out post-rock albums of the year, with a strongly defined sound and almost story-like quality to it. Pianos and strings made up a significant part of the sounds on the album, giving the heavy guitar and drums an almost secondary place on the whole. Touring all over Europe, China and Taiwan this year, it is clear much of the story-telling quality of Maybeshewill’s music, artwork and song titles have gathered a loyal fan base in parts of the world where this imagery is loved. They are a band nearing the top of their game at the moment, touring, releasing new music, and most of all – making interesting post-rock that stands-out in a very samey genre, and proving that it can reach new heights.

Polinski To Release Charity Single

Unleashed back in autumn this year, ‘Labyrinths’ showed-off the beauty 65daysofstatic’s Paul Wolinski (aka Polinski) is capable of.

With a spaced, danceable, epic electronica sound, Polinski’s album sounded fresh from a sci-fi or fantasy film, being an album Paul had obviously put his heart and soul into, yet removed from 65daysofstatic’s sound only slightly.

One song in particular from the album was edited and distorted far from its original cinematic and delicate feel, to sound like the rest of the tracks, and as a result the original version of the track gained some interest.

This one song, ‘AWaltzOfLight’, the closing track from Polinski’s technology explosion, is being released in its original glory as a charity single for Oxfam.

With the grand build ups of sound reminiscent of Paul’s main project, 65daysofstatic, and delicate pianos sounding like the soundtrack to a particularly sublime scene in a good children’s fantasy film, this is a special track, deserving of its single status.

It is fitting that this delicate piece of music should be released for charity, as it conjures images of hope and epic stories, with its sweet piano tinkering and distinctly ‘soundtrack’ feel. Paul himself said :

‘I wanted to release it somehow, because I like it just as much as the album version, maybe even more so. Last year Oxfam used a bit of a 65daysofstatic track for one of their adverts, which was really flattering. It was nice to see our music being used for something so tangibly useful. Releasing this version of AWOL and giving any profits straight to Oxfam seemed like the next logical step.’

This valiant, but dainty piece of instrumental beauty is available to pre-order from the Monotreme Records website, and will be available from all major digital retailers from January 16 2012. It is only a pound and all proceeds go straight to Oxfam.

What is ‘Post-Rock’?

Quite simply, post-rock music these days can be described as music that uses rock instruments, but without the rock vocals and lyrics. Today’s post-rock bands also often include classical instruments such as piano and violin, or get technical with some laptop electronics.

However, the term was originally coined in the 1990s to describe bands such as Stereolab and Bark Psychosis, bands who employed lyrics and the traditional rock guitars, bass and drums, yet who added their own experimental aspects such as psychedelic electronics, Moog synths and ‘noise’.

Influenced heavily by the Shoegaze and psychedelia genres, these ’90s bands were seen as ‘arty’, coming after all that was ‘rock’ about that era. They came after the mega rock of stadium-filling hair metal bands in the 1980s, such as Kiss and Whitesnake. They came during and after the misery of Grunge. They employed the noise and drones of Shoegaze, but added electronics, which were swiftly gaining popularity in genres such as early house and drum n bass. In fact, Bark Psychosis’ front man formed his own drum n bass project after the band split.

Two other bands who gained a lot of attention and praise for their music in the 1990s were Mogwai and Tortoise. They could be described as the very first post-rock bands as we understand the genre to be today.

Mogwai, in particular, have a sound similar to that of a film soundtrack. They play lengthy, orchestrated rock, employing guitars, bass, drums and classical instruments. They also sometimes use vocals. Still around, and seen as one of the pioneers of modern post-rock, Mogwai paved the way for the popular bands known as ‘post-rock bands’ today.

Gaining huge popularity in the early to mid 2000′s, purely instrumental rock bands began to gain a lot of attention. Bands such as Explosions in the Sky, 65daysofstatic, Godspeed You! Black Emperor and This Will Destroy You, all featured the characteristics of a rock band, but without a vocalist.

And these bands are what we know post-rock to mean today. Long, passionate, instrumental pieces, where the guitars and whatever other instruments, all tell a story. Lyrics are not needed. Indeed, sometimes the poetic and lengthy song titles and band names tell us a tale, too.

Post-rock is a beautiful genre to explore, with each band being very different to the next, each one employing different sounds and atmospheric qualities with their instruments (or laptops, as the case may be).

The reasons for its popularity may be buried in a boredom with modern rock bands and their limited lyric writing skills. Post-rock’s popularity may have developed from the ’80s and ’90s obsession with atmosphere and creating noise, and these modern bands are continuing the trend. Or it may simply be that it is unique, epic, poetic, passionate music, which resonates with all classes, ages and sexes, whatever your mood may be.

This is a blog where you can discover this genre of music, read news, reviews and informative articles. You can also submit some. Just ask.

About

minus.lyric is a post-rock/instrumental music blog, full of news, reviews, features and other little snippets.

Along with the post-rock vibe, other instrumental genres will be featured such as ambient, soundtracks and electronica.

Post-rock needs a little bit more coverage, and that includes old and new bands.

If you would like your music reviewed, send a promo + some info to me at ml400@hotmail.co.uk.

I welcome reviews from others, and you can send them to me on the above address also.